Galleries 1 and 2, on the ground floor, feature an Intimate Revello, where we find his first attempts at painting portraits of his relatives, still lie and daily objects.

Worthy mentioning is his Autorretrato (1990), containing portraits of his first wife Chini, his daughter Carmen and of his collaborator Miguel Echarri (1974 and 2007).

Painting totally virtuous in still life and dead nature are emphasized in this collection. For example: Elementos de pervivencia (1978) or Visión unitaria (1988), and other surprising creations from his first period of watercolor such as La pérgola (1937).